The
few years after he graduated are the foundation stone of what Wim came to be
now.
Wim Crouwel (1928), the Dutch graphic designer legend has an extraordinary journey since he born in typographical family. His father was a block-maker what implants a deep interest of typography in him. As a designer, he draws a luminous path behind his forward steps to a unique example for worldwide designers.


In 1952 he discovered the glad of design
information in aesthetic legible composition while he was first designing a
poster for exhibition. “a face shouldn’t
have a meaning in its self, the meaning should be in the content of the text”
this saying of Crouwel was a clear influenced by Bauhaus school. He was
fascinated in typography and totally against any ornaments or decorative
elements believing that it is disturbing to adding them in a design. The influence
of structure, grid base, simplicity and innovation concepts of Bauhaus and
Swiss style are obviously seen in his designs.



He had an effective contribution when the technology of digital
typography destroyed the aesthetic of serif typefaces specially Garamond
typeface. He really got annoyed and immediately toke the action to create a
digital font that achieves his high-quality designs.
Designer, teacher, curator to museum director and a finder of Total
design Studio were brilliant stations in Crouwel's life that give us
inspirational vision.

Wim Crouwel Odyssey in Amesterdam








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